A “rich and riveting” New York Times bestseller based on the true story of a female journalist who defied all the rules while covering World War II (Publishers Weekly, starred review). https://www.natashalester.com.au/books-by-natasha-lester/the-french-photographer-2/
The book is called The French Photographer in Australia/NZ/UK and The Paris Orphan in the USA/Canada. I love this cover!
“As well as writing, I love Paris,
collecting vintage fashion, reading, drinking tea
and having fun with my three children.
The Grateful Reader Review by Dorothy Schwab
“It’s almost impossible today, almost fifty years later, to conceive how difficult it was for a woman correspondent to get beyond a rear-echelon military position, in other words to the front, where the action was.“- David E. Scherman, Life Magazine correspondent
New York City, 1942: A Vogue Magazine photo shoot featuring model, Jessica May, her gorgeous blonde hair and famous winning smile, is the opening scene of The Paris Orphan. Due to an untimely breech of confidence by Jessica’s boyfriend, the star treatment from Vogue, Harper’s Bazaar, and Glamour comes to a screeching halt. To wait out being blacklisted, Jessica returns to her photojournalism skills and pleads to be sent to Paris as a correspondent for Vogue. The editor’s goal was for American women to hear & read stories from the front told by women, not by men. Jessica’s idea was, ” Let’s try. We can only fail spectacularly.”
France, 2005: It’s been sixty years since World War II ended, and D’Arcy Hallworth, art curator from Sydney, Australia, has arrived at a fairy tale chateaux, Lieu de Reves, to assist a reclusive photographer with preparing a collection of wartime photographs for a gallery exhibition.
The dual timeline between the war zone through the lens of Jessica May, and the romantic, artistic eyes of D’Arcy’s examination of herself and the war photos, keeps the reader engrossed in the female journalists’ struggles to get to the front and the revealing of a family’s secrets. Natasha Lester’s superb descriptions of the French countryside,chateaux, battle sites, war zones, concentration camps, hospital operating tents; along with the infuriating male soldiers and their treatment of the female correspondents, will keep the reader up late; wishing for a copy of Vogue and cheering for the courageous women photojournalists who forged their way “to the front” for all the female writers and photographers dreaming of their own careers. “The only person who can change your future is yourself.” Jessica May
The Grateful Reader always appreciates the intensive research it takes to write a novel of historical fiction. The Author’s Notes are as intriguing as the novel itself! The following are a few of the female correspondents either mentioned or upon which characters were based in The Paris Orphan. For women everywhere- Salute! GR
Lee Miller is the basis for the character- model & journalist Jessica May: Elizabeth “Lee” Miller, Lady Penrose, was an American photographer and photojournalist. She was a fashion model in New York City in the 1920s before going to Paris, where she became a fashion and fine art photographer. During the Second World War, she was a war correspondent for Vogue, covering events such as the London Blitz, the liberation of Paris, and the concentration camps at Buchenwald and Dachau.
Lee Miller to her editor at Vogue: “Every word I write is as difficult as tears wrung from stone.”
Lee Miller in Hitler’s bathtub. Lee described Hitler’s apartment in a piece, “Hitleriana,” published in Vogue in 1945. Natasha Lester attributes this scene to Jessica May in The Paris Orphan.
Martha Ellis Gellhorn (November 8, 1908 – February 15, 1998) was an American novelist, travel writer, and journalist who is considered one of the great war correspondents of the 20th century. She reported on virtually every major world conflict that took place during her 60-year career.
British journalist and war correspondent who was one of the few women to report the Allied invasion of Europe from D-Day in June 1944 to the surrender of Germany in May 1945. Retired from journalism (early 1930s) to raise a family; start of World War II motivated her to return to the profession to cover the Battle of Britain; facing strong discrimination by British military authorities and determined to be a combat reporter, was hired by the Boston Globe and was accredited with the 1st American Army; her reports from the front lines and hospitals in France and Germany described in graphic prose some of the bloodiest fighting on the Western front, including the Battle of the Bulge as well as the liberation of Nazi concentration camps; remained in the U.S., working for Voice of America.
Lee Carson attended Smith College, Chicago, aged 14 and left, aged 16 to become a reporter for the Chicago Times. In 1940 she joined the International News Service, she was made a War correspondent in 1943.
Carson was dubbed by her colleagues as ‘the best looking’ female war correspondent, and reportedly used this to her advantage. Hubert Zemke recalled that she caused a stir when she visited the 56th Fighter Group sometime in the Spring of 1944. She supposedly talked a pilot into letting her aboard a bomber on D-Day, where she witnessed the bombing of Cherbourg, and became the only female War Correspondent to come close to the Normandy Invasion.
Famed for her shapely legs, Carson spent most of the war with them covered by trousers, she was the first Allied War Correspondent to enter Paris following liberation. Attached to the 4th Army, she rode in on a Jeep, and reported on the Parisian Hepcats and civilians who had resisted occupation. She later joined the 1st Army with fellow war Correspondent Iris Carpenter and crossed the Seigfried Line at Aachen.
Carpenter and Carson reported on the Battle of the Bulge and witnessed the first GIs meeting Russian Troops. On 15 April 1945, assigned to the task force which liberated the Castle, Carson entered Colditz and took the only photo of the “cock” glider, built by inmates and hidden in the Attic. On 23 April 1945, Carson was present at the liberation of the Erla Work Camp at Leipzig, she was horrified at the suffering of the inmates.
Lee Carson retired from the International News Service in 1957, she died of Cancer, aged 51 in 1973.